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Ellen White's Warnings on Holy Flesh Movement Music

Can loud music and drums in worship actually be a tool of deception?

AdventAI

What does ellen white have to say about the music of the ‘holy flesh’ movement

AdventAI

The music of the "holy flesh" movement was characterized by loud, confusing demonstrations and theatrical performances that distracted from the solemnity of true worship.

🚩 Nature of the Music and Demonstrations

The musical manifestations in this movement were not the workings of the Holy Spirit but were designed by Satan to lead souls into dangerous delusions. Instead of bringing peace, these services involved:

  • Noisy Instrumentation: The use of drums, fiddles, flutes, organs, tambourines, and horns created a high pitch of excitement.

  • Confusing the Senses: The shouting and loud music were so intense that the senses of rational beings became confused, making them unable to make right decisions.

  • Theatrical Performance: Musicians involved often used a style suited for the stage rather than the house of God, which destroyed the serious and sacred impression music should produce.

  • Physical Demonstrations: The music was used to work up excitement until individuals fell prostrate, which was then falsely claimed to be a "Gethsemane experience" necessary for obtaining "holy flesh".

🛡️ Divine Warnings and True Worship

True sacred music should be an intelligent expression of praise, whereas the "holy flesh" music was an untamable element marked by extravagance. We are warned that:

  • A "Strange Work": The Lord has given a definite testimony that such manifestations are a "strange work" and a dangerous delusion that is not prompted by the Holy Spirit.

  • Order and Harmony: There is perfect order in heaven, and there should be a system on earth so that God's work moves forward without such fanaticism.

  • True Sacred Song: When the love of Christ abounds in the soul, vocal music exceeds every instrument in its heaven-inspired pathos.

  • Fruit of the Spirit: True religion is characterized by a deep searching of heart and a quiet confidence, rather than ecstatic joy or boisterous physical exercises Isaiah 30:15.

⚠️ Consequences of Fanatical Music

Encouraging these noisy demonstrations leads to a wave of fanaticism that closes doors against the soundest principles of truth. It creates a "species of fanaticism" that causes some to question all revival work, even that which is genuine. We must watch unceasingly to bar the way against these devices, for Satan will try to push souls into the fire of fanaticism if he cannot keep them in the ice of indifference. By their fruits you shall know whether a work is truly of God Matthew 7:20.

Sources · 17
  1. LDE 159.1Last Day EventsEllen Gould White
  2. 2SM 31.1Selected Messages Book 2Ellen Gould White
  3. 3SM 333.1Selected Messages Book 3Ellen Gould White
  4. 6MR 59.4Manuscript Releases, vol. 6 [Nos. 347-418]Ellen Gould White
  5. MRQI 25.2Music—Its Role, Qualities, and InfluenceEllen Gould White
  6. 2SM 34.1Selected Messages Book 2Ellen Gould White
  7. ST May 19, 1890, par. 6The Signs of the TimesEllen Gould White
  8. GCB April 23, 1901, Art. A, par. 11The General Conference BulletinEllen Gould White
  9. 4T 601.4Testimonies for the Church, vol. 4Ellen Gould White
  10. PH083 16.1Special Testimony Relative to Tract and Missionary Societies and Our PreachersEllen Gould White
  11. 5MR 197.3Manuscript Releases, vol. 5 [Nos. 260-346]Ellen Gould White
  12. YI April 16, 1903, par. 11The Youth’s InstructorEllen Gould White
  13. 4SP 249.1The Spirit of Prophecy, vol. 4Ellen Gould White
  14. Ev 611.3EvangelismEllen Gould White
  15. 1SM 141.3Selected Messages Book 1Ellen Gould White
  16. SpTA01b 35.2An Appeal to Our Ministers and Conference CommitteesEllen Gould White
  17. 6LtMs, Lt 34, 1889, par. 9Letters and Manuscripts — Volume 6 (1889-1890)Ellen Gould White